Creative Muses of a Young Woman

One of my Muses 1990’s: Who I aspired to be like – as an artist, as a storyteller. The dialogicity of work is multimedial. Voice, sound, image as well as devices, instruments and equipment for its production are taken as independent components of the narratives.


Laurie Anderson is one of America’s most renowned—and daring—creative pioneers. Her work, which encompasses music, visual art, poetry, film, and photography, has challenged and delighted audiences around the world for over 40 years.


In the early 1980s, Laurie Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged.


The work of American artist Laurie Anderson inhabits the liminal territory of hi-tech theatre, visual arts, popular music, and cyberspace. Anderson started as an experimental artist in the early 1970s, and became a pop-culture celebrity in the 1980s after her song ‘Superman’ made it to the top-hit lists. In the 1990s, while continuing to perform live, she refocussed on the use of new media and technology. She created a number of web-pages featuring her work and explored the realm of interactive virtual performance with the CD-ROM Puppet Motel. She has also made experimental movies, exhibited sculptures, written two books, and invented several musical instruments and hi-tech gadgets. She explains this amalgamation in the following way: electronics have always been connected to storytelling. Maybe because storytelling began when people used to sit around fires and because fire is magic, compelling and dangerous. We are transfixed by its light and by its destructive power. Electronics are modern fires.


Big Science was about technology, size, industrialization, shifting attitudes toward authority, and individuality. It was sometimes alarmist, picturing the country as a burning building, a plane crash. Alongside the techno was the apocalyptic. The absurd. The everyday. It was also a series of short stories about odd characters—hatcheck clerks and pilots, preachers, drifters, and strangers. There was something about Massenet’s aria ‘O Souverain’—which inspired ‘O Superman’—that almost stopped my heart. The pauses, the melody. ‘O souverain, ô juge, ô père’ (O Lord, o judge, o father). A prayer about empire, ambition, and loss.”

About creatornorthshoregirl

Patti (Lyons-Gooderham) Henderson is an innovative Director hosting a steady career in communications and entertainment. Patti's journey has included extensive research into her own genealogy; encouraging her curiosity and passion in finding story and motivation of character. She started in the world of journalism which took her to multiple countries in a variety of positions, eventually writing, assistant editing and field producing for MUCHMUSIC and MOVIETV. As a fiction Writer, her first feature script BENEATH THE SURFACE, won top prize from Praxis Screenwriters/I.A.T.S.E. script competition. With a thirst for learning the science of Film and TV making, she has worked for a multitude of productions in the capacity of Script Supervisor including RV, EIGHT BELOW, A SERIES OF UNFORTUNATE EVENTS, FRINGE, LOST IN SPACE, XFILES to name a few and as an Editor for shorts, TV series and Features. Her growth in the industry continues with the addition of working in VFX, on and off set. Patti has been a maverick in filmmaking. With the support of Sony Canada, National Film Board of Canada and BC Film, she spearheaded and directed UP THE WALL that was the first new technology (digital video-35mm) project to be shot in Canada in 1997, that included title on picture, VFX and finished in three formats. She has Directed and Co-Produced branding videos, sizzle reels for factual/lifestyle programs, corporates and fundraising videos, as well as 11 projects for the VFS Portfolio Shorts Program. Her work has played at national and international festivals, and aired on various North American Networks. For CBC, she Directed and Edited SALMON ENCHANTED EVENING which, after being selected from over 350 scripts, was produced and nominated for seven LEO FILM AWARDS winning best editor and best sound design. Patti is an Alumnae of WOMEN IN THE DIRECTOR’S CHAIR (WIDC), which chooses 8 women from across Canada to participate in the program at The Banff Centre each year. Her focus has, and always will be, storytelling. Her unique upbringing, combined with years of experience in the entertainment industry has helped to shape her into a vibrant Director with the ability, through passion, knowledge and experience, to elevate a wide range of scripts. Her latest work is writing a YA Novella series, with an eye on developing it into a TV series. She lives and works in the UK and Canada.
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