Shelley on Poetry and the Art of Seeing | Brain Pickings

Shelley on Poetry and the Art of Seeing
“Poetry… reproduces the common universe of which we are portions and percipients, and it purges from our inward sight the film of familiarity which obscures from us the wonder of our being.”
BY MARIA POPOVA

“We hear and apprehend only what we already half know,” Thoreau wrote in contemplating the crucial difference between knowing and seeing. To apprehend reality unblinded by our preconceptions, to truly see rather than pre-know, takes a special receptivity, a special channel of perception that bypasses our ordinary, habit-blunted ways. Poetry provides one such opening, perhaps the supreme one — a subtle portal of receptivity that allows us to take in the universe anew. Poetry unlatches the backdoor of the psyche to rewire the optic nerve of our perception, giving us new eyes with which to regard the world, inner and outer, personal, political, and cosmic. Ursula K. Le Guin knew this when she observed that “science describes accurately from outside, poetry describes accurately from inside”; John F. Kennedy knew this when he proclaimed that “when power corrupt, poetry cleanses”; Adrienne Rich knew this when she wrote that “poetry can break open locked chambers of possibility, restore numbed zones to feeling, recharge desire”; I too intuited it in turning to poetry to celebrate the science and splendor of the natural world, and to protest their political assault, with The Universe in Verse.

But no one has articulated that singular power of poetry more beautifully than Percy Bysshe Shelley (August 4, 1792–July 8, 1822) in a piece titled A Defence of Poetry, originally composed just before his untimely death and later included in his Essays, Letters from Abroad, Translations and Fragments (public library | public domain) — the posthumous collection his equally visionary widow, Mary Shelley, edited and published in 1840.

Percy Bysshe Shelley by Alfred Clint
Shelley writes:

All things exist as they are perceived: at least in relation to the percipient. “The mind is its own place, and of itself can make a heaven of hell, a hell of heaven.” But poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions. And whether it spreads its own figured curtain, or withdraws life’s dark veil from before the scene of things, it equally creates for us a being within our being. It makes us the inhabitants of a world to which the familiar world is a chaos. It reproduces the common universe of which we are portions and percipients, and it purges from our inward sight the film of familiarity which obscures from us the wonder of our being. It compels us to feel that which we perceive, and to imagine that which we know. It creates anew the universe, after it has been annihilated in our minds by the recurrence of impressions blunted by reiteration.
— Read on www.brainpickings.org/2019/09/30/shelley-defence-of-poetry/

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About creatornorthshoregirl

Patti (Lyons-Gooderham) Henderson is an innovative Director hosting a steady career in communications and entertainment. Patti's journey has included extensive research into her own genealogy; encouraging her curiosity and passion in finding story and motivation of character. She started in the world of journalism which took her to multiple countries in a variety of positions, eventually writing, assistant editing and field producing for MUCHMUSIC and MOVIETV. As a fiction Writer, her first feature script BENEATH THE SURFACE, won top prize from Praxis Screenwriters/I.A.T.S.E. script competition. With a thirst for learning the science of Film and TV making, she has worked for a multitude of productions in the capacity of Script Supervisor including RV, EIGHT BELOW, A SERIES OF UNFORTUNATE EVENTS, FRINGE, LOST IN SPACE, XFILES to name a few and as an Editor for shorts, TV series and Features. Her growth in the industry continues with the addition of working in VFX, on and off set. Patti has been a maverick in filmmaking. With the support of Sony Canada, National Film Board of Canada and BC Film, she spearheaded and directed UP THE WALL that was the first new technology (digital video-35mm) project to be shot in Canada in 1997, that included title on picture, VFX and finished in three formats. She has Directed and Co-Produced branding videos, sizzle reels for factual/lifestyle programs, corporates and fundraising videos, as well as 11 projects for the VFS Portfolio Shorts Program. Her work has played at national and international festivals, and aired on various North American Networks. For CBC, she Directed and Edited SALMON ENCHANTED EVENING which, after being selected from over 350 scripts, was produced and nominated for seven LEO FILM AWARDS winning best editor and best sound design. Patti is an Alumnae of WOMEN IN THE DIRECTOR’S CHAIR (WIDC), which chooses 8 women from across Canada to participate in the program at The Banff Centre each year. Her focus has, and always will be, storytelling. Her unique upbringing, combined with years of experience in the entertainment industry has helped to shape her into a vibrant Director with the ability, through passion, knowledge and experience, to elevate a wide range of scripts. Her latest work is writing a YA Novella series, with an eye on developing it into a TV series. She lives and works in the UK and Canada.
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