A meditation on: The value of ‘useful ignorance’.
The difference between writers and critics is that in order to function in their trade, writers must live in the world, and critics, to survive in the world, must live in literature. That’s why writers in their own work need have nothing to do with criticism, no matter on what level.
What the writer is interested in is life, life as she is nearly living it… Some people have to live first and write later, like Proust. More writers are like Yeats, who was always being tempted from his craft of verse, but not seriously enough to cut down on production.
One of the reasons writers are so much more interested in life than others who just go on living, is to explain it all to herself, and the less she understands to begin with, the more she probably writes.
Writing, like life itself, is a voyage of discovery. The adventure is a metaphysical one: it is a way of approaching life indirectly, of acquiring a total rather than a partial view of the universe. The writer lives between the upper and lower worlds: she takes the path in order eventually to become the path herself.
Somewhere along the way one discovers that what one has to tell is not nearly so important as the telling itself. It is this quality about all art which gives it a metaphysical hue, which lifts it out of time and space and centers or integrates it to the whole cosmic process. It is this about art which is ‘therapeutic’: significance, purposelessness, infinitude.
Patti (Lyons-Gooderham) Henderson is an innovative Director hosting a steady career in communications and entertainment. Patti's journey has included extensive research into her own genealogy; encouraging her curiosity and passion in finding story and motivation of character.
She started in the world of journalism which took her to multiple countries in a variety of positions, eventually writing, assistant editing and field producing for MUCHMUSIC and MOVIETV. As a fiction Writer, her first feature script BENEATH THE SURFACE, won top prize from Praxis Screenwriters/I.A.T.S.E. script competition.
With a thirst for learning the science of Film and TV making, she has worked for a multitude of productions in the capacity of Script Supervisor including RV, EIGHT BELOW, A SERIES OF UNFORTUNATE EVENTS, FRINGE, LOST IN SPACE, XFILES to name a few and as an Editor for shorts, TV series and Features. Her growth in the industry continues with the addition of working in VFX, on and off set.
Patti has been a maverick in filmmaking. With the support of Sony Canada, National Film Board of Canada and BC Film, she spearheaded and directed UP THE WALL that was the first new technology (digital video-35mm) project to be shot in Canada in 1997, that included title on picture, VFX and finished in three formats. She has Directed and Co-Produced branding videos, sizzle reels for factual/lifestyle programs, corporates and fundraising videos, as well as 11 projects for the VFS Portfolio Shorts Program. Her work has played at national and international festivals, and aired on various North American Networks. For CBC, she Directed and Edited SALMON ENCHANTED EVENING which, after being selected from over 350 scripts, was produced and nominated for seven LEO FILM AWARDS winning best editor and best sound design.
Patti is an Alumnae of WOMEN IN THE DIRECTOR’S CHAIR (WIDC), which chooses 8 women from across Canada to participate in the program at The Banff Centre each year.
Her focus has, and always will be, storytelling. Her unique upbringing, combined with years of experience in the entertainment industry has helped to shape her into a vibrant Director with the ability, through passion, knowledge and experience, to elevate a wide range of scripts. Her latest work is writing a YA Novella series, with an eye on developing it into a TV series.
She lives and works in the UK and Canada.